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Diplôme 2006
logo Strate Collège Designers
 
 
 
 
 
 
Industrial Design Modelling Master
Design
  • Valery Andres
  • Astrid Arnaud
  • Barbara Asei Dantoni
  • Audrey Barreau
  • Nicolas Beauchamp
  • Benoit Becuwe
  • ken Billes
  • Gregory Blanchet
  • Fabien Brossard
  • Charline Carton
  • Cédric Chuvin
  • Isabelle Claudel
  • Joseph Colin
  • Coralie Coms
  • Rafaele David
  • Magalie Debelis
  • Jacques De Crazannes
  • Arnaud Dubreuil
  • Thomas Dumoulin
  • Jean-Patrick Favier
  • Julien Gelifier
  • Cécile Gervais
  • Michel Glenisson
  • Jean-Christophe Guillaud-Bataille
  • Charley Ignace
  • Alexandre Gommier
  • Sophie Hedde
  • Alexey Kehza
  • Thierry Labaye
  • Guillaume Lefrançois
  • Lee Kuang-Chan
  • Alexandra Malih
  • Vivien Martinage
  • Nicolas Marzouanlian
  • Arnaud Mauler
  • Thibaud Maunoury
  • Eric Mazodier
  • Tupac Mendoza
  • Sylvain Merlin
  • Jérôme Mignot
  • Fabrice Namura
  • David Nataf
  • Jérome Negroni
  • Elodie Nerot
  • Marc-Antoine Paulmier
  • Laurent Périé
  • Géraldine Pichot
  • Thibaud Pougeoise
  • Nicolas Rousselet
  • Frédéric Rul
  • Gabriel Sangy
  • Marie Sanou
  • Benoit Tallec
  • Julien Vandon
  • Nansi Wang
  • Alexis Willis
  • Zhou Leï
  • Modelling
    Gallery
    2006 Graduation | Design

    Gregory Blanchet

    Nô car

    Gregory Blanchet

    In an extremely industrialized world, where products are produced in mass, identically, people paradoxically endeavour to differentiate themselves, giving personal touches to their universe.
    Gregory Blanchet has therefore decided to work on that paradox.
    How can a mass-produced car let its driver’s personality express itself?
    How can one appropriate a car, even for a moment, for the time of a journey? Immerged – and fed – in the Japanese society, Gregory Blanchet has imagined, with NÔ car, a car concept both poetic and realistic, fun and minimalist.

     
     
     
     

    A unique vehicle for everybody but of one’s own.
    Gregory mainly took his inspiration from Japanese traditions, and especially from the Nô theatrical movement.
    Like a Nô mask, his car can express the various facets of its driver’s personality, playing with elements such as light, naturally balanced imbalance and harmony, particular to traditional Japanese culture.
    In Nô, the inside of the mask is literally the interface between the actor and his character. With this metaphor, Gregory has conceived the inside of the car like the interface of communication with its driver, thanks to which all personalization will be done.
    The car’s body is also a screen on which are displayed the driver’s personality, thanks to graphic elements.

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